Pando is a DJ and artist from Venezuela, now cutting through the noise of Madrid’s underground electronic scene with precision. He first stepped onto the radar in 2014 as part of the chaotic, genre-bending DJ collective F#ck Fest, a name that, like the group, refused to play by the rules. But it was his solo path that revealed the core of his sound: a deep, driving devotion to house music. Since landing in Spain, Pando hasn’t slowed down. He’s the driving force behind Pandora, a self-built event platform that’s quickly becoming one of the most interesting in the Iberian underground. Not just a party, Pandora is a signal flare. A warning shot. Pando isn’t here to play.

He’s here to build something of his own.

This career isn’t a sprint—it’s a marathon.

-Pando

You’ve been refining your sound for over 10 years now—how would you describe Pando’s music?

My sound is defined by a live blend of classic house with modern minimal, deep tech, and tech house, integrating organic elements like brass, percussion, and vocals. I think my sound shifts a lot depending on the place, the time, and the crowd in front of me. I try to adapt to the context I’m playing in, it’s not the same to play at a beach sunset at 7:00 PM as it is in a nightclub at 3:00 AM when the crowd is in full euphoria. The energy, the lighting, and the acoustics are completely different in open-air spaces versus closed venues.

What’s your process when preparing for a set? Do you have any kind of ritual that helps you get in the zone or conceptualize what you’re going to play?

I usually start by listening to sets from artists I like. It helps spark inspiration and opens up new ideas. Then I dig through a bunch of music platforms to find and download new tracks, pulling from different sources I trust. I organize everything into an iTunes playlist, add in some acapella vocals I’ll use during the set, and then load it all into Traktor. From there, I keep it loose. I prefer to improvise track selection based on how the crowd is reacting in the moment.

You’ve only been in Madrid a short time, but it seems like you’ve found your footing in the scene. What have been the biggest challenges you’ve faced, and how did you overcome them?

Honestly, I haven’t felt many obstacles when it comes to integrating into the Madrid scene. At the same time, I wouldn’t say I’m one of the city’s most established DJs yet either. This career isn’t a sprint—it’s a marathon. My entry into the Madrid circuit has been slow and steady. I’ve been recommended by word of mouth through friends from both Venezuela and Spain, and with every event I’ve played, I’ve gained new listeners and built real friendships. There’s a sense of mutual support in the scene that’s been essential.

Madrid is full of talent, across every genre. Every night, the city comes alive in different pockets: techno in some places, trance in others, minimal somewhere else. I’ve been able to carve out a place in the corner of the scene I connect with most, and I’m genuinely grateful for the opportunities that have come my way.

What’s your favorite part of Madrid’s electronic music scene?

Madrid is a global capital, and with that comes a nonstop flow of festivals, venues with international crowds, and performances from some of the best names in electronic music. That kind of traffic creates real opportunities—to connect, to collaborate with international talent, and to share lineups with some of the top DJs in the world right now. That access is what makes the scene here so exciting.

Pando is building something lasting. From Venezuela to Madrid, from word-of-mouth sets to curating his own nights, he’s been playing the long game. And if his steady rise and sharp instincts are anything to go by, he’s not just part of the scene, he’s shaping where it goes next and we can’t wait to see what’s in store for him!

Are you interested to learn more about Pando?